Stacey Copeland's Lavender Sounds explores lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the emergence of queer feminist soundwork—a unique blend of community-led storytelling, political resistance, and creative expression rooted in feminist and LGBTQ+ activism. At the heart of the book lies a powerful idea: sound is not just heard but felt, connecting generations through shared voices and struggles. In conversation with award-winning and cutting-edge queer and feminist podcast producers from across Canada and the U.S., Lavender Sounds invites us to turn a feminist-embodied ear to the past to uncover the ways gender, race, and sexual orientations are embedded in our everyday media listening practices. From pioneering Canadian radio shows like Vancouver's The Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts and audio documentary, Lavender Sounds is a journey through auditory landscapes where joy, protest, intimacy, and identity intersect. This book opens a vibrant conversation about how radio and podcasting are vital tools for marginalized communities to connect, create, and claim space in the media world.

In Britain at the end of the nineteenth century, the new sexual sciences—from anthropological accounts of religion as rooted in ancient fertility cults to psychoanalytic theories that explained religious experience in terms of psychosexual development—characterized religion as closely connected to the sexual. The outcome, as Joy Dixon argues, was a new sense that religion itself could be sexually suspect. One result was an increasing concern to police "sexual heresies" to produce a supposedly normal (healthy, monogamous, and heterosexual) religiosity. The overall effect was a narrowing of the sexual possibilities inside "orthodox" religion and the association of alternative forms of religion with dissident sexualities that continues to shape both religion and secularism today. Drawing on a wide range of materials from diverse elements of British society, this book emphasizes the dynamic relationships between the histories of religion and of sexuality and the historical contingency of the categories we use to understand the relationship between the two.

Queering the Color Line transforms previous understandings of how homosexuality was “invented” as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white “color line,” the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality.
At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public’s attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual “deviance” were used to reinforce each other’s terms. She provides original readings of such texts as Havelock Ellis’s late nineteenth-century work on “sexual inversion,” the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson’s Autobiography of an Ex-Coloured Man, and Jean Toomer’s fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality.

For generations, queer and trans Asian Americans have shaped the history of the United States—often in ways overlooked or erased from the historical record. Breathing Fire brings these lives and struggles into focus, offering a sweeping survey of queer Asian American history from the nineteenth century to the present. Through vivid stories of activists, artists, and ordinary individuals, Amy Sueyoshi reveals how queer Asian Americans forged communities, fought for LGBTQ rights, and challenged the boundaries of belonging.

Drawing on archival sources, oral histories, and a wide body of scholarship, Sueyoshi offers an introductory text that traces how queer Asians in America navigated shifting landscapes of immigration restriction, racial discrimination, and sexual regulation. Early immigrants from Asia arrived with cultural traditions that often accommodated diverse sexualities and gender expressions, yet they encountered increasingly rigid moral codes in the United States. Across the twentieth century, many lived quietly under the radar, while others helped spark transformative movements for civil rights and gay liberation. They navigated anti-Asian sentiment, homophobia, transphobia, and sex negativity to assert their freedom to be queer, some more defiantly than others.

By placing queer Asian Americans within significant signposts in LGBTQ, Asian American, and US history, Breathing Fire highlights their intimate lives and connections as well as their perseverance in pursuing queer desires.

In 1964, Lyndon B. Johnson’s longest-serving and most trusted advisor, Walter Jenkins, was arrested for soliciting sex in a YMCA bathroom near the White House. The scandal blasted across the front pages of major US newspapers, was dissected and analyzed by the FBI, and became a watershed in making straight America aware of queer life. In Outed, historian Timothy Stewart-Winter reveals that the effects of antigay policing were felt not only by the men but by their colleagues, families, and, in this case, the First Family.

Walter Jenkins’s political banishment had long-ranging effects, from how Johnson conducted the remainder of his presidency to how media coverage of political and sexual scandals became more explicit and salacious. Stewart-Winter reveals Jenkins’s influence and legacy, encompassing but also looking beyond the scandal. Jenkins had a significant impact on Johnson’s career and how it is remembered, including both his signal accomplishment—the programs and laws that constituted the Great Society—and his signal failure: his catastrophic judgment, after Jenkins’s exile, regarding the Vietnam War.

Drawing on Jenkins’s previously unexamined personal papers, including hundreds of letters he received in the aftermath from ordinary Americans and government officials alike, Stewart-Winter shows how antigay policies and the revelations around them continue to reverberate today.

Intimate Friends offers a fascinating look at the erotic friendships of educated English and American women over a 150-year period, culminating in the 1928 publication of The Well of Loneliness, Radclyffe Hall’s scandalous novel of lesbian love. Martha Vicinus explores all-female communities,…

3, 2, 1… inhale, deep. From the Victorian infirmary and the sex clubs of the 1970s, poppers vapour has released the queer potential inside us all.

This is the intriguing story of how poppers wafted out of the lab and into gay bars, corner shops, bedrooms and porn supercuts. Blending historical…

In Gay Print Culture, Juan Carlos Mezo González investigates the relationship between transnational gay liberation politics, periodicals, and images in Mexico, the United States, and Canada from the early 1970s through the mid-1990s. Mezo González examines the production, content, circulation, and…

Gordon Merrick and the Great Gay American Novel is the first biography of Gordon Merrick, the most commercially successful writer of gay novels in the twentieth century. This book shows how Merrick’s novels were largely based on his own life and time as a Princeton theater star, a Broadway actor, a…

Issues of sexuality were in an uneasy relationship with the working-class politics of the Mexican Communist Party and other left-wing organizations throughout much of the twentieth century. Rather than attributing this tension solely to ideological conservatism, Revolution in the Sheets reinterprets…

In 1971, Daniel Pinello came out as a gay man in the most public forum then conceivable for a 21-year-old: the front­ page feature article of a Williams College student newspaper. He was the first queer person there unequivocally to disclose a homosexual orientation. Then, after law school,…

Belfastmen reconstructs the everyday experiences of queer men in a region infamous for its recent history of intolerance, violence, and religious homophobia to show how queer lives before the gay rights movement were not only possible but also rich, exciting, and fulfilling. Irish churches and…

In 1964, Lyndon B. Johnson’s longest-serving and most trusted advisor, Walter Jenkins, was arrested for soliciting sex in a YMCA bathroom near the White House. The scandal blasted across the front pages of major US newspapers, was dissected and analyzed by the FBI, and became a watershed in making…

For generations, queer and trans Asian Americans have shaped the history of the United States—often in ways overlooked or erased from the historical record. Breathing Fire brings these lives and struggles into focus, offering a sweeping survey of queer Asian American history from the nineteenth…

Queering the Color Line transforms previous understandings of how homosexuality was “invented” as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B.…

In Britain at the end of the nineteenth century, the new sexual sciences—from anthropological accounts of religion as rooted in ancient fertility cults to psychoanalytic theories that explained religious experience in terms of psychosexual development—characterized religion as closely connected to…

Stacey Copeland's Lavender Sounds explores lesbian radio history and its evolution into queer feminist podcasting today, exploring the politics, aesthetics, and cultural activism embedded in queer feminist soundwork. Through deeply personal and archival explorations, Stacey Copeland traces the…